Adam Clark Vroman Photo of Zuni Man
Sepia tone
1895
Height 13 1/2" Width 10 3/4"
Provenance: Larry Frank, Taos, NM
Between 1895 and 1904, Adam Clark Vroman photographed the landscape and native peoples of the American Southwest. His photographs of the Hopis, Zunis, and Pueblos, among other tribes, have been praised for their relatively objective eye; as photographic historian Beaumont Newhall wrote in his introduction to Ruth Mahood’s book, Photographer of the Southwest: Adam Clark Vroman, "[he] avoided the sentimental, the contrived, and the obvious. He photographed simply, directly, and sympathetically." Indeed, as the photographs within this web presentation convey, his portraits of Native Americans humanize, rather than romanticize, his subjects. Shown here are a selection of platinotype prints by Adam Clark Vroman in the MHS photograph collection. The platinotype, or platinum print, is known for its non-reflective surface, rich detail, broad tonal range and permanence. The platinum process was patented in England in 1873 and was widely used in the United States and Europe from 1880 through the 1930s, when the cost of platinum became prohibitive and the silver-based processes gained prominence.About the Photographer
Born in Illinois in 1856, Adam Clark Vroman moved to Pasadena, California in 1892 with hopes that the dry climate would improve his wife's early tuberculosis symptoms. Though Esther Griest Vroman died within two years, Vroman stayed on in Pasadena and opened a book, stationery, and photo-supply shop there in November of 1894. The following year, he began his most significant period of photography, traveling through southern California, Arizona, and New Mexico on seven separate trips from 1895 to 1904 to document the area's landscape, Indians, and Indian communities. He was often accompanied by his friend, Los Angeles Timesnewspaper editor Charles Fletcher Lummis, who was also an amateur photographer. During 1897 and 1899, Vroman was employed as a photographer by the Bureau of American Ethnology, (a research unit of the Smithsonian Institution) for two separate trips to the Southwest, the former involving a climb to the Enchanted Mesa in central New Mexico to prove the existence of Indian habitation and the latter a documentation of Southwestern pueblos and cliff dwellings.
Sepia tone
1895
Height 13 1/2" Width 10 3/4"
Provenance: Larry Frank, Taos, NM
Between 1895 and 1904, Adam Clark Vroman photographed the landscape and native peoples of the American Southwest. His photographs of the Hopis, Zunis, and Pueblos, among other tribes, have been praised for their relatively objective eye; as photographic historian Beaumont Newhall wrote in his introduction to Ruth Mahood’s book, Photographer of the Southwest: Adam Clark Vroman, "[he] avoided the sentimental, the contrived, and the obvious. He photographed simply, directly, and sympathetically." Indeed, as the photographs within this web presentation convey, his portraits of Native Americans humanize, rather than romanticize, his subjects. Shown here are a selection of platinotype prints by Adam Clark Vroman in the MHS photograph collection. The platinotype, or platinum print, is known for its non-reflective surface, rich detail, broad tonal range and permanence. The platinum process was patented in England in 1873 and was widely used in the United States and Europe from 1880 through the 1930s, when the cost of platinum became prohibitive and the silver-based processes gained prominence.About the Photographer
Born in Illinois in 1856, Adam Clark Vroman moved to Pasadena, California in 1892 with hopes that the dry climate would improve his wife's early tuberculosis symptoms. Though Esther Griest Vroman died within two years, Vroman stayed on in Pasadena and opened a book, stationery, and photo-supply shop there in November of 1894. The following year, he began his most significant period of photography, traveling through southern California, Arizona, and New Mexico on seven separate trips from 1895 to 1904 to document the area's landscape, Indians, and Indian communities. He was often accompanied by his friend, Los Angeles Timesnewspaper editor Charles Fletcher Lummis, who was also an amateur photographer. During 1897 and 1899, Vroman was employed as a photographer by the Bureau of American Ethnology, (a research unit of the Smithsonian Institution) for two separate trips to the Southwest, the former involving a climb to the Enchanted Mesa in central New Mexico to prove the existence of Indian habitation and the latter a documentation of Southwestern pueblos and cliff dwellings.
Sepia tone
1895
Height 13 1/2" Width 10 3/4"
Provenance: Larry Frank, Taos, NM
Between 1895 and 1904, Adam Clark Vroman photographed the landscape and native peoples of the American Southwest. His photographs of the Hopis, Zunis, and Pueblos, among other tribes, have been praised for their relatively objective eye; as photographic historian Beaumont Newhall wrote in his introduction to Ruth Mahood’s book, Photographer of the Southwest: Adam Clark Vroman, "[he] avoided the sentimental, the contrived, and the obvious. He photographed simply, directly, and sympathetically." Indeed, as the photographs within this web presentation convey, his portraits of Native Americans humanize, rather than romanticize, his subjects. Shown here are a selection of platinotype prints by Adam Clark Vroman in the MHS photograph collection. The platinotype, or platinum print, is known for its non-reflective surface, rich detail, broad tonal range and permanence. The platinum process was patented in England in 1873 and was widely used in the United States and Europe from 1880 through the 1930s, when the cost of platinum became prohibitive and the silver-based processes gained prominence.About the Photographer
Born in Illinois in 1856, Adam Clark Vroman moved to Pasadena, California in 1892 with hopes that the dry climate would improve his wife's early tuberculosis symptoms. Though Esther Griest Vroman died within two years, Vroman stayed on in Pasadena and opened a book, stationery, and photo-supply shop there in November of 1894. The following year, he began his most significant period of photography, traveling through southern California, Arizona, and New Mexico on seven separate trips from 1895 to 1904 to document the area's landscape, Indians, and Indian communities. He was often accompanied by his friend, Los Angeles Timesnewspaper editor Charles Fletcher Lummis, who was also an amateur photographer. During 1897 and 1899, Vroman was employed as a photographer by the Bureau of American Ethnology, (a research unit of the Smithsonian Institution) for two separate trips to the Southwest, the former involving a climb to the Enchanted Mesa in central New Mexico to prove the existence of Indian habitation and the latter a documentation of Southwestern pueblos and cliff dwellings.