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Art Blackburn
Art Blackburn
Home
New Acquisitions
NATIVE AMERICAN
Historic Pottery
Pre-Historic Pottery
Mimbres
Kachinas / Dolls
Fetishes
Beadwork
Weavings
Baskets / Bags
Pipes
Masks
Northwest Coast Art
Eskimo
Native American Photography
Other
NATIVE AMERICAN JEWELRY
Squash Blossoms
Necklaces
Bolos
Bracelets
Bow Guards
Rings
Earrings
Pins / Clips
Belts / Buckles
PRE-COLUMBIAN
Colima
Nayarit
Teotihucan
Jalisco
Chinesco
Olmec
Vera Cruz
Maya
Aztec
Peru
Ecuador
Costa Rica
Gold
Other Pre-Columbian
COLLECTIONS
Overview
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Surf
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About
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Home
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Folder: NATIVE AMERICAN
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Historic Pottery
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Weavings
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Folder: NATIVE AMERICAN JEWELRY
Back
Squash Blossoms
Necklaces
Bolos
Bracelets
Bow Guards
Rings
Earrings
Pins / Clips
Belts / Buckles
Folder: PRE-COLUMBIAN
Back
Colima
Nayarit
Teotihucan
Jalisco
Chinesco
Olmec
Vera Cruz
Maya
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Peru
Ecuador
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Gold
Other Pre-Columbian
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Back
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Historic Pottery Superb Lucy M. Lewis Pot - SOLD
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Superb Lucy M. Lewis Pot - SOLD

$0.00

1950

Height 4 1/2" Diameter 3 1/4"

Provenance: Private collection, Prescott, AZ

Lucy M. Lewis (1895 to 1992)

Since there were no schools on the mesa, Lewis received no formal education or art classes. She learned pottery as a young child from her great-aunt and other Acoma Pueblo women. Lewis was instrumental in reviving eleventh-century, Mimbres-style pottery, characterized by black lines on white slip.

Lewis married and had nine children. She handled the household chores, helped her husband with the farming, and still found time for her pottery. Because of Acoma Pueblo’s remote location, Lewis was never helped, or interfered with, by archaeologists, museum curators, collectors, or tourists. She also did not travel to powwows or fairs, though she occasionally sold her pottery in the closest town, 20 miles away.

Lewis’s pottery first became known outside the pueblo in 1950, when she received a blue ribbon at the annual Gallup Inter-Tribal Indian Ceremonial in New Mexico. During the 1980s and 1990s Lewis received awards from the American Crafts Council, the College Art Association, the state of New Mexico, and the Honolulu Academy of Fine Arts. Lewis continued to pot well into her 80s. Some of her daughters and grandchildren also create pottery.

INQUIRE HERE

SOLD

1950

Height 4 1/2" Diameter 3 1/4"

Provenance: Private collection, Prescott, AZ

Lucy M. Lewis (1895 to 1992)

Since there were no schools on the mesa, Lewis received no formal education or art classes. She learned pottery as a young child from her great-aunt and other Acoma Pueblo women. Lewis was instrumental in reviving eleventh-century, Mimbres-style pottery, characterized by black lines on white slip.

Lewis married and had nine children. She handled the household chores, helped her husband with the farming, and still found time for her pottery. Because of Acoma Pueblo’s remote location, Lewis was never helped, or interfered with, by archaeologists, museum curators, collectors, or tourists. She also did not travel to powwows or fairs, though she occasionally sold her pottery in the closest town, 20 miles away.

Lewis’s pottery first became known outside the pueblo in 1950, when she received a blue ribbon at the annual Gallup Inter-Tribal Indian Ceremonial in New Mexico. During the 1980s and 1990s Lewis received awards from the American Crafts Council, the College Art Association, the state of New Mexico, and the Honolulu Academy of Fine Arts. Lewis continued to pot well into her 80s. Some of her daughters and grandchildren also create pottery.

INQUIRE HERE

1950

Height 4 1/2" Diameter 3 1/4"

Provenance: Private collection, Prescott, AZ

Lucy M. Lewis (1895 to 1992)

Since there were no schools on the mesa, Lewis received no formal education or art classes. She learned pottery as a young child from her great-aunt and other Acoma Pueblo women. Lewis was instrumental in reviving eleventh-century, Mimbres-style pottery, characterized by black lines on white slip.

Lewis married and had nine children. She handled the household chores, helped her husband with the farming, and still found time for her pottery. Because of Acoma Pueblo’s remote location, Lewis was never helped, or interfered with, by archaeologists, museum curators, collectors, or tourists. She also did not travel to powwows or fairs, though she occasionally sold her pottery in the closest town, 20 miles away.

Lewis’s pottery first became known outside the pueblo in 1950, when she received a blue ribbon at the annual Gallup Inter-Tribal Indian Ceremonial in New Mexico. During the 1980s and 1990s Lewis received awards from the American Crafts Council, the College Art Association, the state of New Mexico, and the Honolulu Academy of Fine Arts. Lewis continued to pot well into her 80s. Some of her daughters and grandchildren also create pottery.

INQUIRE HERE

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